King Gizzard & The Lizard Wizard

Sit back and strap yourself in as seven-headed Aussie rock beast King Gizzard & The Lizard Wizard return with Fishing for Fishies, perhaps their most perfectly-realised album to date. Here is a world where the organic meets the automated; where the rustic meets the robotic. Where the past and future collide in the beautiful present. read more…

Sit back and strap yourself in as seven-headed Aussie rock beast King Gizzard & The Lizard Wizard return with Fishing for Fishies, perhaps their most perfectly-realised album to date. Here is a world where the organic meets the automated; where the rustic meets the robotic. Where the past and future collide in the beautiful present.
The fourteenth album since their 2012 debut – and their first following the release of five vastly different albums in 2017 – Fishing for Fishies is a blues-infused blast of sonic boogie that struts and shimmies through several moods and terrains. From the soft shuffle Outback country of the opening title track through the sunny easy listening of ‘The Bird Song’ (think the lysergically-soaked Laurel Canyon circa 1973) and on through the party funk of ‘Plastic Boogie’ (which somehow summons the spirit of Stevie Wonder’s Innervisions) the road-trucking, Doors-like highway rock of ‘The Cruel Millennial’ and ‘Real’s Not Real’ – what The Carpenters might have sounded like had they existed entirely on vegemite and weed – it’s a dizzying, dazzling display.
Hell, The Gizz make it look so easy.
And that’s all before we even get to ‘Acarine’, a futurist blues tune which heads off into previously unchartered territories of shimmering Eno-esque ambient and dark John Carpenter-style electro, and the electro squelch of album-closing single ‘Cyboogie’, on which five of the seven King Gizzard & the Lizard Wizard members play synths. It’s a stomping vocoder-lead anthem akin to Georgio Moroder or Trans-era Neil Young and a triumphant conclusion to an album that is as surprising as it is thrilling, as unexpected as it is effortless.
“We tried to make a blues record,” says frontman Stu Mackenzie. “A blues-boogie-shuffle-kinda-thing, but the songs kept fighting it – or maybe it was us fighting them. Ultimately though we let the songs guide us this time; we let them have their own personalities and forge their own path. Paths of light, paths of darkness. This is a collection of songs that went on wild journeys of transformation.”
“I didn’t really know who I was by the end of 2017,” continues Stu, of the band’s never-to-be-repeated year, which concluded with the fifth album being released on New Years Eve 2017. “It was a good kind of spent feeling though, as I like being busy. For most of the holiday period I was in the studio doing the last of the recording and mixing on Gumboot Soup. And as soon as it clicked over to 2018 I stopped worrying about recording for a while and started living instead.”
Out of this period came Fishing for Fishies, an album in which musical motifs recur: lush piano, mellotron and synth flourishes (the bulk of the album was written on piano); Ambrose Kenny-Smith’s distinctive harmonica, which brings to mind sidewinders crossing dusty widescreen vistas; a generous dose of vocoder; and a plethora of creative U-turns that conspire to create a general overall sense of man and machine melding together in a thrilling chrome-covered hybrid.
Because Fishing for Fishies is an album looking out across the horizon through mirrored sunglasses while twenty-tonne juggernauts thunder past. Here, perhaps, is a place where the spirit of two key songs released in the same year – Ram Jam’s ‘Black Betty’ and Kraftwerk’s ‘Trans-Europe Express’ – linger somewhere in the mix. And what may sound absurd on paper is actually the genius work of a band of musicians entirely simpatico with one another after nearly a decade of constant evolution.
“We have travelled a lot – we’ve seen the world – but it all still feels like discovery,” says Stu, in trademark self-effacing style. “We’re still essentially naive kids tinkering around with toys we don’t know how to use in the studio.”
Newcomers to King Gizzard & The Lizard Wizard will find an entire self-contained universe awaits them in a thrilling body of work. Here are grand concepts where albums overlap, riffs resurface, circular songs chase their own tails, grand narratives are told, cryptic lyrics endlessly analysed and a whole army of fans regurgitate the band’s output via a deluge of remixes, memes, visual loops, mind-melting cut-ups and just generally pontificate wildly about everything in The Gizzverse, much of it available on Youtube and internet forums.
“I am aware that it exists,” laughs Stu, of the alternative world that exists in their honour. “But I’m completely social media-less and pretty stone-age really. Good on ‘em for digging deep though.”
Because King Gizzard are no longer a band, they are a cult, a youth movement, an exploration, a double-drumming trip, a cottage industry centred around their own Flightless Records. Many milestones have been ticked off along the way: a headline slot at the UK’s Green Man Festival; a huge sold-out US tour; playing to five thousand people at a sold-out Brixton Academy one day…and then 100 people in the Yorkshire hill town of Hebden Bridge the next. Meanwhile their Gizzfest gathering in Melbourne is now in its fourth year. They are a band to give your life to. Perhaps more than anything they provide transportive fun, a valuable and often-overlooked commodity in an increasingly fraught world.
Best of all, anyone can step into The Gizzverse – anytime, anywhere. No prior understanding is necessary. So whether it’s psyche rock played with breakneck precision (2014’s I’m In Your Mind Fuzz), life-giving acoustic folk and Tropicalia (2015’s Paper Mâché Dream Balloon), a three-part sci-fi/prog album (2017’s Murder Of The Universe) or an album uploaded on an open license so that budding labels worldwide could press their own copies, which they duly did, currently 240 different pressings according to Discogs (2017’s, Polygondwanaland), King Gizzard & the Lizard Wizard provide it. As Pitchfork noted, they have waged war against two tired clichés: “One, that rock is dead; and two, that the album is dead.”
More than that, they have staked their claim as one of the most innovative, exciting and productive bands of the 21st century
King Gizzard & the Lizard Wizard are: Stu Mackenzie (vocals/guitar/flute), Ambrose Kenny-Smith (harmonica/vocals), Cook Craig (guitar/vocals), Joey Walker (guitar), Lucas Skinner (bass), Eric Moore (drums) and Michael Cavanagh (drums).

Album discography: 12 Bar Bruise (2012), Eyes Like the Sky (2013), Float Along – Fill Your Lungs (2013), Oddments (2014), I’m In Your Mind Fuzz (2014), Quarters! (2015), Paper Mache Dream Balloon (2015), Nonagon Infinity (2016), Flying Microtonal Banana (2017), Murder of the Universe (2017), Sketches of Brunswick East (2017), Polygondwanaland (2017), Gumboot Soup (2017), Fishing for Fishies (2019).

News

• Listen to King Gizzard & The Lizard Wizard’s New Song “Boogieman Sam” Mar 28, 2019
• King Gizzard & the Lizard Wizard Announce New Album Fishing for Fishies Mar 11, 2019
• King Gizzard & The Lizard Wizard announce new album, Fishing for Fishies Mar 11, 2019
• Marian Li-Pino of La Luz interviews King Gizzard and the Lizard Wizard’s Eric Moore and Michael Cavanagh Jul 10, 2018
• Pitchfork Raves About King Gizzard's Second 2017 Record Jun 29, 2017
• Paste Magazine loves the horror of King Gizzard & the Lizard Wizard's "Murder of the Universe" Jun 26, 2017
• Paste Magazine reviews King Gizzard & the Lizard Wizards' "Murder of the Universe" Jun 20, 2017
• King Gizzard & the Lizard Wizard headlines Audiotree Music Festival Jun 20, 2017
• Stu Mackenzie of King Gizzard & the Lizard Wizard talks with The Observer about touring and upcoming records Apr 12, 2017
• Pitchfork features King Gizzard & The Lizard Wizard's announcement of new record Murder of the Universe Apr 11, 2017
• Brooklyn Vegan shares "Murder of the Universe" & "Han-Tyumi" both singles of King Gizzard & The Lizard Wizards 2nd record of 2017 Apr 11, 2017
• Stereogum features King Gizzard & The Lizard Wizard's album trailer for upcoming record, "Murder of the Universe" Apr 10, 2017
• Paste Magazine features King Gizzard & The Lizard Wizard record announcement for "Murder of the Universe" Apr 10, 2017
• AXS reviews King Gizzard and the Lizard Wizard's show at Webster Hall Apr 1, 2017
• Pancakes and Whiskey cover King Gizzard and the Lizard Wizard's Sold Out Show in NYC Apr 1, 2017
• Pitchfork live streams King Gizzard & The Lizard Wizard's show at Webster Hall Mar 31, 2017
• King Gizzard & The Lizard Wizard Flying Microtonal Banana P4K Review Feb 27, 2017
• NPR features King Gizzard on "World Cafe" Jan 25, 2017
• New Music Of The Day: King Gizzard & The Lizard Wizard – ‘Rattlesnake Dec 3, 2016
• King Gizzard & The Lizard Wizard Plan on Releasing Five Albums in 2017 Dec 3, 2016
• King Gizzard and the Lizard Wizard Announce New Album, Share “Rattlesnake” Nov 12, 2016
• King Gizzard And The Lizard Wizard release music video for "Rattlesnake" Nov 10, 2016
• King Gizzard and the Lizard Wizard review: Psychedelic night to remember Aug 5, 2016
• Esquire names King Gizzard & The Lizard Wizard's "Gamma Knife" one of the songs of the summer Jun 7, 2016
• JamBands interviews King Gizzard & The Lizard's Stu Mackenzie about "Nonagon Infinity" May 28, 2016

Tour Dates

Date	Venue	Location	With	Tickets
Fri 7/26/2019	Fuji Rock Festival	Naeba Ski Resort, Yuzawa-cho, Niigata Prefecture, Japan
Sat 7/27/2019	Fuji Rock Festival	Naeba Ski Resort, Yuzawa-cho, Niigata Prefecture, Japan
Sun 7/28/2019	Fuji Rock Festival	Naeba Ski Resort, Yuzawa-cho, Niigata Prefecture, Japan
Tue 8/13/2019	Greek Theatre	Los Angeles, California	Stonefield, ORB
Wed 8/14/2019	SVN West	San Francisco, California	ORB, Stonefield
Thu 8/15/2019	SVN West	San Francisco, California	Stonefield, ORB
Fri 8/16/2019	Roseland Theater	Portland, Oregon	ORB, Stonefield
Sat 8/17/2019	Harbour Event Centre	Vancouver, British Columbia, Canada	Stonefield, ORB
Sun 8/18/2019	Paramount Theatre	Seattle, Washington	ORB, Stonefield
Tue 8/20/2019	The Depot	Salt Lake City, Utah	Stonefield, ORB
Wed 8/21/2019	Mission Ballroom	Denver, Colorado	ORB, Stonefield
Fri 8/23/2019	Riverside Theater	Milwaukee, Wisconsin	Stonefield, ORB
Sat 8/24/2019	Aragon Ballroom	Chicago, Illinois	ORB, Stonefield
Sun 8/25/2019	Rebel	Toronto, Ontario	Stonefield, ORB
Mon 8/26/2019	Olympia	Montreal, Quebec, Canada	Stonefield, ORB
Tue 8/27/2019	College Street Music Hall	New Haven, Connecticut	ORB, Stonefield
Wed 8/28/2019	Summer Stage Central Park	New York, New York	Stonefield, ORB
Fri 8/30/2019	Franklin Music Hall	Philadelphia, Pennsylvania	ORB, Stonefield
Sat 8/31/2019	9:30 Club	Washington, DC	Stonefield, ORB
Sun 9/1/2019	New Belgium Brewing Company	Asheville, North Carolina	ORB, Stonefield
Mon 9/2/2019	Tabernacle	Atlanta, Georgia	Stonefield, ORB
Tue 9/3/2019	Joy Theater	New Orleans, Louisiana	ORB, Stonefield
Wed 9/4/2019	Stubb's Waller Creek Amphitheatre	Austin, Texas	Stonefield, ORB
Fri 9/6/2019	The Bomb Factory	Dallas, Texas	Stonefield, ORB
Mon 9/30/2019	Rock City Main Hall	Nottingham, United Kingdom
Tue 10/1/2019	Barrowland Ballroom	Glasgow, United Kingdom
Wed 10/2/2019	O2 Academy Leeds	Leeds, United Kingdom
Thu 10/3/2019	O2 Victoria Warehouse	Manchester, United Kingdom
Sat 10/5/2019	Alexandra Palace	London, United Kingdom
Sun 10/6/2019	TivoliVredenburg	Utrecht, Netherlands
Tue 10/8/2019	Ancienne Belgique	Brussels, Belgium
Fri 10/11/2019	Carlswerk Victoria	Cologne, Germany
Sat 10/12/2019	Columbiahalle	Berlin, Germany
Sun 10/13/2019	Rockhal	Esch-sur-Alzette, Luxembourg
Mon 10/14/2019	L'Olympia	Paris, France
Tue 10/15/2019	Alcatraz	Milan, Italy
Wed 10/16/2019	X-Tra	Zurich, Switzerland
Fri 10/18/2019	Sala La Riviera	Madrid, Spain
Sat 10/19/2019	Razzmatazz	Barcelona, Spain