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King Gizzard and the Lizard Wizard Announce 25th Album The Silver Cord
Paste Magazine

King Gizzard and the Lizard Wizard are back with a triple-single to announce their monumental 25th album, The Silver Cord. The band also have unveiled a lineup of 3-hour marathon sets beginning next year. The Australian six-piece dropped “Theia / The Silver Cord / Set” in a trippy 12-minute music video showcasing the album’s range from melodic synths to hard-hitting techno with distorted vocals.

King Gizzard And The Lizard Wizard Goes Electro On Three New Songs
Spin

King Gizzard and the Lizard Wizard dives headfirst into electronic music like never before on its upcoming 25th album The Silver Cord, the first three songs from which are out this morning (Oct. 3). “Theia,” the title track, and “Set” introduce a synth-dominated sound as far removed as possible from the summer prog/metal companion album PetroDragonic Apocalypse, with nods to techno forefathers such as Kraftwerk and Underworld powering this surprising change of pace.

New Music: Ty Segall – “Eggman”
Stereogum

Last month, Ty Segall released a new single, “Void,” accompanied by the announcement of a North American tour that will kick off next year. Today, Segall is back with another track, “Eggman,’ which comes with a video of him trying to eat a whole lot of eggs.

Ty Segall – “Eggman”
Raven Sings the Blues

New singles continue to roll out of the Ty Segall camp, this time turning down the prog dial for something a bit more raw. On “Eggman” Ty lets acoustic strums bandy with redline squalls. The scorch and swelter take a break midway through as he lets the song unravel into a slow motion sweat that eventually collapses to the floor. The track comes accompanied with a video that finds Segall channeling his inner Cool Hand Luke, gulpin’ eggs with the best of them. Like the last, the new single comes unattached, but with the way the singles are gathering there’s likely an album about to tie them together. Nab the new one over at Drag City and check out the video above.

Ty Segall Releases New Single “Void,” Announces Tour
Paste Magazine

California singer/songwriter and multi-instrumentalist Ty Segall is back with a brand new single today. “Void,” his first release of fresh music since his 2022 album “Hello, Hi,” is a psychedelic, kaleidoscopic rock track that centers Segall’s woozy vocal affectations and an intricate guitar part that is relentless in its loops and shimmers. The choral harmonies arrive with ample rewards, as the entire arrangement bleeds and morphs like a grand, hypnotic fusion of spectral, climaxing sonic DNA. It’s Ty Segall-core to the bone, and we’re obsessed.

New Music: Ty Segall – “Void”
Stereogum

Hey, Ty Segall released a seven-minute experimental prog-rock song! “Void,” released today to accompany Segall’s 2024(!) tour announcement, is a relative rarity within the veteran garage-rocker’s extensive catalog. It begins with an eerie, dissonant acoustic arpeggio and builds layers from there. It never really settles into the hard-charging take-no-prisoners mode I associate with Segall’s live show, but it eventually bottoms out into something like ominous classic rock, like a proto-metal version of late-period Beatles.

Album Review: SPELLLING & the Mystery School
Pitchfork
Chrystia Cabral gives her old highlights new studio arrangements, lending them the immediacy and clarity of live versions.

As SPELLLING, Chrystia Cabral dances the line between straightforward dream pop and aquatic, experimental electronic folk, creating music that both roils the soul and inspires whimsical daydreams. She expanded upon her tactile sound on 2021’s audacious The Turning Wheel, using rich instrumentation to animate her folkloric stories. Working with her touring band on new album SPELLLING & the Mystery School, Cabral reshapes previous album cuts with fresh arrangements, giving them the rhythmic, freeform feel of live versions. Her voice has never sounded better, even as some of the album makes you want to turn back to the delights of her charmingly shambling earlier work.

Spellling Spellling & the Mystery School Review: Unraveling Life’s Mysteries
Slant Magazine

With a vibrant kaleidoscope of sounds and ethereal ambiance, the singer brings both her fantasy world and reality to life.

Chrystia Cabral’s Spellling & the Mystery School is a collection of songs from throughout her career as Spellling, but with a twist, as each track has undergone a complete reimagination. The already eerie “Under the Sun,” from 2019’s Mazy Fly, has been masterfully reworked into an even eerier sci-fi ballad with an ominous string arrangement and an interlude punctuated by synth flashes, while “Phantom Farewell,” from 2017’s Pantheon of Me, beefs up some of the song’s original sonic distortions for a bigger, grander sound.

ALBUM OF THE DAY: SPELLLING, “SPELLLING & the Mystery School”
Bandcamp

Since the release of her 2017 debut Pantheon of Me, Tia Cabral, aka SPELLLING, has proven she can handily create expansive, fantastical worlds from the safety of her studio. But with each new record—including 2019’s synth-driven Mazy Fly and 2021’s orchestrally ambitious The Turning Wheel—Cabral has found new possibilities of expression on the stage. On her latest voyage, SPELLLING & The Mystery School, she looks back on her songbook and redraws the lines around some of her biggest crowd-pleasers.

The 10 Albums We’re Most Excited About in August
Paste Magazine

Oakland singer/songwriter and experimentalist SPELLLING is following up her 2021 masterpiece The Turning Wheel this August with SPELLLING & The Mystery School, a collection of tracks that surf between minimalism, glitchy percussive rhythm and hypnotic pianistic patterns. Full of mysticism and drama and haunting, evocative exploration, The gravity of SPELLLING’s songwriting is immense and, in turn, she makes left-field pop music that is both alien and ambitious. SPELLING & The Mystery School is on our radar because, after teaser singles “Cherry” and “Under the Sun,” it’s shaping up to be one of the best things she’s made—which says a great deal, given that The Turning Wheel was one of the very best records of 2021

SPELLLING shares new song, reveals Through The Looking Glass lineup
The Fader

Chrystia Cabral (SPELLLING) has shared the third single from her next album, SPELLLING & the Mystery School, due out August 25 via Sacred Bones. The record reintroduces the backing ensemble that joined Cabral for her most recent full-length, 2021’s The Turning Wheel, and comprises full-band re-recordings of tracks from across Cabral’s career: The original version of today’s track, “Hard To Please (Reprise),” comes from her 2019 breakout LP, Mazy Fly. And it follows the forthcoming record’s joint lead singles, “Cherry” (a rework of “Choke Cherry Horse” from 2017’s Pantheon of Me) and “Under The Sun,” another flipped Mazy Fly cut.

All The Best New Indie Music From This Week
Uproxx

Eerie artist Spellling — real name Chrystia Cabral — received recognition for her idiosyncratic 2021 masterwork The Turning Wheel, and these new songs “Cherry” and “Under The Sun” prove she hasn’t lost her haunted appeal. “Cherry” twinkles and broods and builds with unsettling whispers, growing into an evil anthem, sounding like a scene from a horror movie.

SPELLLING announces new album SPELLLING & the Mystery School
The Fader

“For the tour behind her excellent 2021 album The Turning Wheel, SPELLLING performed alongside a full band called the Mystery School, giving new dimensions to the experimental pop artist’s work. If you didn’t get a chance to see those shows, SPELLLING will soon bring the experience to a new studio album called SPELLLING & the Mystery School. Out August 25 via Sacred Bones, the album will feature re-recordings of songs from across Chrystia Cabral’s discography as SPELLLING.”

Here’s the deal with King Gizzard & the Lizard Wizard
NPR

The key to understanding the King Gizzard phenomenon is a willingness to imagine disparate categories in dense overlap, well beyond anything our post-genre pop era might have prepared us for. The group’s six musicians live at the center of a very unlikely Venn diagram: stylistic chameleons on par with Beck and Damon Albarn, prolific at a rate that outpaces even the famously hyper-productive Guided By Voices, mounting completely unpredictable live shows with the jam band ethos of Phish. Led by 32-year-old primary songwriter Stu Mackenzie, they have released 24 studio albums since 2010, five of which dropped in 2022. (Two of those, the MGMT-ish Omnium Gatherum and the groovy jazz-fusion opus Ice, Death, Planets, Lungs, Mushrooms, and Lava, are good entry points for the uninitiated.) The records tend to be organized around genre and musical high concepts — garage rock, various flavors of psychedelia, electronic excursions, prog, blue-eyed soul and several albums exploring the possibilites of microtonal tuning.

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