‘What If I Don’t Keep Feeling Strident?’
The Atlantic
For years, Ezra Furman’s music embraced protest and defiance. Now she’s striking a different chord.
For years, Ezra Furman’s music embraced protest and defiance. Now she’s striking a different chord.
Furman’s 10th studio album, Goodbye Small Head, was written in the wake of illness, sociological terror, collapse, and creative exhaustion. She recently spoke with Paste about invoking tropes of humiliation, deviance, and rebellion by repurposing them through the lens of agency.
“As is widely known, I have the correct music taste,” Ezra Furman says, tongue perhaps in cheek, in presenting us with her list of favorite music of 2022. “Other people are in error. For example, the number one album of 2022 seems to be something called Mind-Nights by Tailor Swift. The most talked-about artist of the year is Conye West, who very clearly said ‘slavery was a choice’ in 2018, giving decent people reason to ignore him forever, and yet he is still selling lots of records and commanding the public eye. Meanwhile the transgender rock’n’roll artists creating the great classics of our era (Alex Walton, Asher White, Harmony’s Cuddle Party) go mostly unheard and unheralded.”
“Furman, the artist hailing from Chicago, Illinois, has become defined by her directness. Her music tackles queerness and transness, as well as notions of young romance and mental health, often from the perspective of ripe anger and frustration”
“In All of Us Flames, Ezra Furman pens a record for the apocalypse, but it’s not at all hopeless. This apparent contradiction becomes slightly less mysterious when you consider the circumstances in which the album was made. All of Us Flames was written almost entirely during lockdown, when Furman was raising a young child and beginning to embrace her identity as a trans woman. The result is a powerful meditation on finding community in the face of solitude, with melodies that are at once morose and euphoric, all anchored by Furman’s silvery vocals. Her unique brand of intellectual but deeply-felt art-rock has won her devout fans, including comedy legend Sarah Silverman, who called Furman to chat about Judaism, baby jokes, and the overlap between comedy and music.”
SIMON: We mentioned you wrote these songs during the early pandemic, and I gather your house was very full at that time, right?
FURMAN: It was a bit full. It was me and my gay wife and our 1-year-old. And then our friend just had a shaky kind of housing situation, and she moved into our living room for months. And then also we had this terrible landlord who lived right upstairs from us who was – well, he was prejudiced, you know? He was not happy that I was transgender when we moved in. So there was a lot of love in our house. And then there was this, like, overhang of transphobia.
Ezra Furman has seemingly spent her last two albums in constant motion. She first traced a collection of Springsteen-esque stories of escape and romance songs with 2018’s Transangelic Exodus, then quickly offered up an incendiary punk paen to rage and fury with 2019’s Twelve Nudes. Her songs have often felt restless and nervy, finding her searching for peace and comfort amidst a hostile world that doesn’t want Furman or the people she loves to exist.
The third installment of a trilogy that began in 2018 with the transformative road-trip opus Transangelic Exodus, All of Us Flames sees Ezra Furman deliver a disarming and defining set of punk-kissed heartland indie rock songs that give a bullhorn to marginalized voices.
Ezra Furman knows that the joys and fears of trans women are doubled to either extreme compared to those of their cis counterparts, as violent transmisogyny continues to run rampant and women who share her experiences are forced to live in the shadows.
This Chicago artist’s sixth album is a strong set of dramatic indie-rock incorporating elements of heartland rock and other styles, combining shimmering synths, guitars, piano and more with her grainy vocals and sharply crafted lyrics depicting self-love and connection as antidotes to bigotry and isolation.
Singer-songwriter Ezra Furman has been creating rock and roll tunes since 2008, originally being a part of Ezra Furman and the Harpoons before moving on to sing solo.
Returning to familiar sounds of vintage girl groups and rock’n’roll, Ezra Furman writes trans pride and existential fear into an album that reveals the full strength of her vulnerabilities.
It’s rare nowadays to find sincere protest music worth listening to. Even those elite artists who do make legitimately radical statements in their songs — Downtown Boys, Moor Mother, Special Interest, et al. — mix their full-throated activism with experiments in form. But on her recent single “Book Of Our Names,” Ezra Furman takes a direct swing at capitalism in the style of the earnest folk rockers who shook the structures of power over half a century ago.
Track by Track is our recurring feature series that provides artists with a space to take us through every song on their newest release. Today, Ezra Furman takes us through the powerful All of Us Flames.
In terms of both the joyful force it exudes and the restrictive forces imposed upon it, femininity is inherently violent. Going back to the earliest examples of mythology, you can usually find some reference to an orderly, masculine representation of the sun, serving as a foil to the chaos of the moon that forcibly bends the tides and weather to its will under the cover of night.
Indie Basement’s quiet but very hot August continues, and this week includes: the swaggering debut album from Speedy Wunderground-signed The Lounge Society; new DFA signees JJULIUS; cinematic guitarist Rachika Nayar; Ezra Furman finds empathy at the edge of the apocalypse; Pantha du Prince gets one with nature; and ’90s electronica producer William Orbit returns with his first album in eight years featuring Beth Orton and more.
The full range and complicated range of human emotions has always been part of Furman’s creativity — especially anger, which was mined extensively in Furman’s last album, 2019’s punk blowout Twelve Nudes. Before that was 2018’s Transangelic Exodus, an album that constantly felt like its music had been set ablaze in honor of the agony and ecstasy of queerness, as well as to process the understanding that “sometimes you go through hell, but you never get to Heaven.”
Furman added: “I wanted to make songs for use by threatened communities, and particularly the ones I belong to: trans people and Jews.”
The singer-songwriter concludes a trilogy of albums that included 2018’s Transangelic Exodus and 2019’s Twelve Nudes. The new project, Furman says, is “a queer album for the stage of life when you start to understand that you are not a lone wolf, but depend on finding your family, your people, how you work as part of a larger whole.”
Ezra Furman knows that the joys and fears of trans women are doubled to either extreme compared to those of their cis counterparts, as violent transmisogyny continues to run rampant and women who share her experiences are forced to live in the shadows.
Ezra Furman has released a new album, All of Us Flames, today via ANTI-/Bella Union. Now that it’s out you can stream the whole thing here. Stream the album below, followed by her upcoming tour dates.
On All of Us Flames, her sixth solo album, Ezra Furman completes a three-album story arc about queer agency and fury.
EZRA FURMAN, ALL OF US FLAMES. The trans rocker’s latest finds her skillfully brooding her way through songs about the internal support of queer communities in times of crisis.
Hello! It’s Friday, again! There’s new music out there, again. I’ve got Tiny Blue Ghost a band nearby to me on a label I like and I’ve been really enjoying all the songs they’ve put out this year. There’s also this Stella Donnelly to check out based on reviews, also this Cryalot album I don’t think I’ve heard of but I love KKB.
Ezra Furman released a new album, All of Us Flames, today via ANTI-/Bella Union (stream it here). All of Us Flames includes “Ally Sheedy in The Breakfast Club,” one of its highlights that wasn’t put out as a pre-release single but is now eligible for Songs of the Week.
We all need to understand one thing; Ezra Furman is possibly an artist that’s the most unappreciated in our lifetime. The world needs to be covered in Furman releases because there’s nothing but quality work here. All Of Us Flames (ANTI-) is Ezra’s ninth full-length release, collaborative and solo, and possibly the most realized work to date.
1. Ezra Furman: “Point Me Toward the Real”
Ezra Furman has signed to ANTI- and on Tuesday shared her first single for the label, “Point Me Toward the Real.” She also announced some new North American tour dates. The horn-backed “Point Me Toward the Real” is about someone getting out of a psychiatric hospital. Furman’s lyrics paint a truly vivid picture.