Vinyl Me Please reviews Ty Segall’s performance at Pickathon 2017
Vinyl Me Please reviews Ty Segall’s performance at Pickathon 2017.
Vinyl Me Please reviews Ty Segall’s performance at Pickathon 2017.
“…Oh Sees rally on the blistering cut, whose scissoring guitars are sure to lodge themselves deep inside your brain.”
It veers into stylistic netherworlds (prog-jazz contortions, bluesy harmonica blowouts, synth-funk breakdowns) like secret bonus coin zones en route toward explosive, boss-match-style climaxes that serve as resets for the album’s recurring melodic motifs.
“…Murder has an ominous propulsion that leaves you feeling aghast and helpless, with two-minute sprints of charging drums and distortion that feel like a dilapidated truck carving through a bombed-out city with a cut brake line.”
“Obvious comparisons can be made to any number of hard rock heroes from decades past: Black Sabbath, Deep Purple, Uriah Heep, Iron Maiden and other outfits that built their brand based on sinister intent and sonic excess. Yet even those aforementioned bands sound like weary shoegazers in comparison, given the agitation, fury and frenzy that’s […]
King Gizzard & the Lizard Wizard headline the Audiotree Music Festival on September 22nd and 23rd in Kalamazoo, MI!
Somewhat surprisingly, Mac DeMarco is going to perform at New York institution Radio City Music Hall on September 22, and tickets will be available on Friday. It’s the kind of venue that many artists dream about one day playing, and DeMarco, despite his immense popularity, is a somewhat unexpected booking. So how’d he get here?
“The content comes with a slight change in sound: Gone is the rinky-dink, pealing electric guitar tone that colored his early records, replaced with an acoustic instrument, recorded as if he’s in the room with you. There’s also prolific use of a CR-78 drum machine set to cruise, the steady motorik rhythms pushing him toward […]
“…and the crowd embrace DeMarco’s ramshackle corniness, waving actual lighters along to the Careless Whisper-ish One More Love Song and going wild to Freaking Out the Neighborhood in a way that no crowd has gone wild to a song sounding like Dire Straits’ Sultans of Swing since 1987…”
“…Mac DeMarco is just turning 27, but his new album, This Old Dog, seems to represent a more mature persona than he’s projected in the past…”
“…His latest album, This Old Dog, is spare and soft and personal, and it’s open about his rocky relationship with his largely absentee father. He’ll tell you the LP was a creative risk, but one he felt comfortable taking if only because his fan base is along for the ride…”
“…they confirm that a truly great song exists outside of time and trend. But parallels between DeMarco and Taylor extend beyond their sound: they’ve both been known as boyish wild men who are fond of the bottle, and whose unpredictable, spastic personalities are at odds with the mellow, emotive songs they write.”
“…Because Mac DeMarco, or at least the legendary version of him that exists in his fans’ minds, transcends both time and space…”
“Due to the universal relatability of “being alive,” This Old Dog tells a simple, though spellbinding, story of some of life’s guarantees: family (in all its various forms), home, love and impending death.”
“…both in terms of sound and subject matter, the album finds DeMarco beginning to venture beyond the music he built his carefree indie bro reputation on. And it may be an antidote for his goofball exploits if, like me, you often find that stuff obscuring his formidable songwriting talent.”
“As an anti-star who, at his heart, would likely be happy playing in a Midwest basement for beer money, DeMarco possesses innately strong songwriting abilities, endearing him to bedroom lo-fi purists and besandled Parrotheads alike.”
“Mac DeMarco had a little pre-celebratory birthday and record release bash over the weekend, serving up some hot dogs and new tunes from This Old Dog.”
“Moms will be moms, but there’s something deeper to her understanding of Mac’s ambling tracks, and the sadness that’s often muddled beneath all that smeared reverb.”
“DeMarco has a different style this time around, but what isn’t different is the classic, laid-back feel that fans have come to love.”
Thee Oh Sees have announced a tour. They’ll hit the road later this month at Norman Music Festival in Oklahoma and tour Europe through the summer, before wrapping up with a series of North American dates in September.
“For someone who appears to be professionally irreverent, he [Mac] is painfully self-aware of his precise coordinates along this generally strange journey.”
“…yet amid the partying, the lewd behaviour, the wonky and sometimes raunchy sense of humour, Mac DeMarco’s image has kind of gotten away from him.”
“As a kind of pied piper for the blog crowd, Mr. DeMarco, with his trademark gaptoothed smile and disarming baby blues….but on-the-ground, grass-roots outreach via nonstop touring and direct human connection.”
Mac DeMarco joins Loud and Quiet’s Midnight Chats Podcast – Episode 25
“…Of course, yeah. Murder of the Universe itself is three distinct chapters, by far the most narrative-driven thing we’ve ever done, including Eyes Like The Sky, which was a Spaghetti Western, narrative-driven work. This is probably more narrative-driven than that…”
“…King Gizzard & The Lizard Wizard just dropped their LP Flying Microtonal Banana in February, but the band is already gearing up for their next project. Their forthcoming album Murder of the Universe is out June 23 via ATO…”
“…King Gizzard & The Lizard Wizard have shared details of Murder of the Universe, their second album of 2017 — and far from the last if they stay on target. The 21-track concept album is divided into three chapters…”
“…And now, the band has announced plans for the second album in that series. This time, it has the even more excellent title Murder Of The Universe…”
“…There’s no single from album number two yet, but there’s an appropriately ominous and trippy video for Murder of the Universe that talks of new worlds replacing old ones and memories being blown up in the mushroom clouds. If everything on the album is as intense as this clip’s one minute, it’ll be one hell […]
“The floorboards of Webster Hall nearly felt like they were about to give way as the sold out crowd in the New York City venue jumped and danced in sync with the rhythmic hurricane stirred up by [the] Aussie rock band.”