‘Ezra Furman has announced her new album All of Us Flames with a Noel Paul–directed video for her new song “Forever in Sunset.” The LP is due out August 26 via Anti–. Furman also announced a string of new tour dates.’
‘The album includes previously released song “Book of Our Names” and the new single is the synth-rock anthem “Forever in Sunset.”
“‘Forever in Sunset’ is a spot-on introduction to ‘All of Us Flames.’ Combining Furman’s love of Springsteen-like bravado and punky grit, the song is inspired by that persistent sense of apprehension that can loom after you’ve spent years feeling unsafe: ‘Do you remember when we thought the world was ending?/ Seems funny now,’ Furman sings.”
‘Produced by John Congleton, ‘All Of Us Flames’ is scheduled to arrive on August 26 via Bella Union, following up 2019’s ‘Twelve Nudes’ LP, and an EP written for the most recent series of Netflix’s Sex Education.
It’ll include the previous singles Book Of Our Names and Point Me Toward The Real, along with the newly shared synth-laden cut Forever In Sunset, which comes paired with Noel Paul-directed video.’
She says of the album, “This is a first person plural album. It’s a queer album for the stage of life when you start to understand that you are not a lone wolf, but depend on finding your family, your people, how you work as part of a larger whole. I wanted to make songs for use by threatened communities, and particularly the ones I belong to: trans people and Jews.”
‘Ezra Furman has announced her new album, ‘All Of Us Flames’. Set for release on 26th August via Bella Union, the news comes alongside a new track taken from it, ‘Forever In Sunset’.’
‘The righteous songwriter, broadcaster, and all-round heroine returns, with a brand new album set to land this summer.
Out on August 26th, ‘All Of Us Flames’ bears witness to the fiery demise of the patriarchal capitalist empire that seems to smother our every moment.’
Ezra Furman is a prime example, a singer/songwriter from Chicago who’s released some of the most daring music in the indie rock world. She’s also sold out multiple world tours, DJ’s for the BBC and created the soundtrack for Netflix’s hit show, Sex Education.
“If Omnium Gatherum is a crazy quilt by design, it’s ultimately threaded together by some of the Gizzard’s most sumptuous songcraft to date—not to mention the band’s ever-colorful ways of telling us that the Earth is fucked.”
‘The songs blasted by in a blur, but Hanna reminded us that “Suck My Left One” is about her 13 year old sister getting harassed by older men. A Bikini Kill show is a lively, fun punk rock gig, but the messages are as important as ever. There’s still work to do. Smash the patriarchy.’
‘There wasn’t much funny business, but there was plenty of joy as the original line-up of vocalist Kathleen Hanna, drummer Tobi Vail and bassist Kathi Wilcox on bass — joined by guitarist Erica Dawn Lyle — entertained a cross-generational crowd. The show, one of more than 50 on their tour, was the band’s first L.A. appearance since their four-night residency at the Hollywood Palladium in 2019, which marked their return to live performances after more than two decades away.’
Ezra Furman and the Harpoons was an excellent band in the more indie folk vein but Furman herself had more to say in music than that loose format. And since writing and releasing music under her own name as a solo artist she’s seemed to have slowly shed obvious stylistic influences like Bob Dylan and Lou Reed among others across several albums since the literary, haunted Americana of 2012’s The Year of No Returning.
Queer Music Monthly is a collection of fresh tunes from beloved queer musical icons and innovative new artists that have been hand-picked by Them’s editors and contributors. What makes queer music special is that it’s so diverse and genre-defying. The collection of artists on our April playlist is wide-ranging and kaleidoscopic, stretching from Tyler Holmes’ Arthur Russel-inspired experimental-pop ballad “To Accept” to Ezra Furman’s queer liberation protest song, “Book Of Our Names.”
‘When Bikini Kill in 2019 played its first full shows in more than two decades, the response was overwhelmingly positive.
“If anything, people were singing a little too loud, so I couldn’t hear myself,” Hanna says, laughing. “Which is not a bad problem to have.”’
‘Indeed, the band is achieving any number of new milestones in the weeks ahead, from selling out two Red Rocks shows eight months in advance (a third was just added), to playing their largest New York-area concert to date in October at the 13,000-capacity Forest Hills Tennis Stadium and reaching the top tiers of international festival lineups with zero radio airplay or traditional promo.’
‘Segall predominantly self-recorded the album at his home in California. “Hello, Hi” is quintessential Segall: fuzzed-out psych-rock…Over the years, Segall has cemented himself as a prolific rocker.’
‘Human psych-rock factory Ty Segall isn’t the type to sit still for long. Last summer, Segall released his surprise LP Harmonizer. Earlier this year, he followed that LP with his soundtrack for the documentary Whirlybird. And now Segall has announced plays to drop a whole new LP on the world this summer, and he’s shared its absolute rocker of a first single.’
‘Ty Segall has announced a new album, “Hello, Hi”, and shared its title track. “Hello, Hi” is due out July 22 via Drag City. ‘
‘“Hello, Hi” is a thundering ruckus of electric sound. Alternating between his vulnerable pleas and bashing strums, Segall’s wish is simple: “I leave a gift and I want to cry / A box of wood and a curtain / I just want to say hi.”’
‘Ty Segall has announced his next album, “Hello, Hi”. The Harmonizer follow-up arrives in July 22 via Segall’s longtime label home Drag City. Segall predominantly self-recorded the album at his home in California. Today, he has shared the album’s title track.’
‘Allow Ty Segall to welcome you to his new album. The psych-rocker’s 14th studio LP, Hello, Hi, is due out July 22nd via Drag City, and as a preview, he shared its rousing title track today. Additionally, Segall has unveiled a run of tour dates across North America and Europe for Summer 2022.’
‘Ty Segall has announced his 14th solo album “Hello, Hi” that will be out July 22 via Drag City. After the synthesized gleam of Harmonizer, he’s going in a different direction this time: “Tossing down straight acoustic shots with electric guitar back, ‘Hello, Hi’ rides through the valley of yer ol’ Canyon legends, finding an isolated place to unspool Ty’s copious reserves of nervous energy beneath an open sky.’
“‘Kepler-22b’ showcases all the hidden talents of King Gizzard and the Lizard Wizard — namely that they’ve got a dynamic, irrepressible pop instinct.”
‘Over the course of its 16 tracks, Omnium Gatherum (which is Latin for “a collection of miscellaneous people or things”) constantly surprises, at least on the first few listens. The experience is like wandering through an unfamiliar house, peeking in each room to see what’s behind the door and finding something new and different almost every time. ‘
‘King Gizzard & The Lizard Wizard have dropped a video for the track “Kepler-22B” from their new album Omnium Gatherum dropping Friday, April 22.
“Kepler-22b” samples Barney Mcall’s “Yemaya One.” The same day Omnium Gatherum makes its long-awaited debut, tickets go on sale for a third show at Red Rocks Amphitheater following two already sold-out appearances. Tickets for other dates are on sale at the official King Giz website.’
‘Melbourne psych-rockers King Gizzard & The Lizard Wizard have returned with yet another new album, Omnium Gatherum. Not only does it serve as the band’s 20th album to date, it is also their first double LP ever. Omnium Gatherum is a coherent, genre-bending 16-track album that’s sure to stick with you for a long time.’
‘Led by the singles “The Dripping Tap,” “Magenta Mountain,” and “Kepler-22b,” not only is the studio set the Australian psych rockers’ landmark 20th album, it’s the first double LP in their more than decade-long career.
‘Considering their talent and tenacity, it was only a matter of time before they pushed themselves further than ever by creating a double album. Indeed, Omnium Gatherum — which has more in common with 2021’s welcomingly exploratory Butterfly 3000 than it does last month’s avant-garde Made in Timeland — is essentially the band’s magnum opus.
‘While it’s easy to admire the sheer chutzpah of King Gizzard And The Lizard Wizard opening their twentieth album in 10 years with the 18-minute epic The Dripping Tap, they become that much more easy to love once the song’s immediate accessibility becomes instantly apparent. ‘
